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       纺织日报           20050201

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9、Import of Swiss textile machinery rises
10、Paris haute couture/ light, wearable, fantastic
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Import of Swiss textile machinery rises
Sales of Swiss textile machinery to Pakistan industry likely to improve 20 percent to 30 percent during this year as Pakistan’s textile industry is becoming more quality conscious, said Dr Lukus Sigrist, a representative of the Swiss textile machinery manufacturers said on Monday. 

“The imports of Swiss machinery in Pakistan is on rise because high quality compared to other international manufacturers,” he said and added the textile industry of Pakistan has bought textile machinery and equipment of worth around $70 million from Swiss companies during the last year, showing an increase of 20 percent. Dr Sigrist was speaking to reporters after a symposium organized by the consulate of Switzerland in Pakistan on Monday. 

Thirty representatives of Swiss private sector textile machinery manufacturers and government delegates attended the symposium. While representatives of most of the leading textile companies of Pakistan also present during presentations given by representatives from Switzerland.

APP adds: Earlier, speaking at a press conference Christian Kuoni, chairman Textile Machinery Division of Swissmen, they are hoping to hold an exhibition of Swiss textile machine products in Karachi sometime in April this year.

He said their current visit is aimed at helping Pakistan textile industry to use the most advanced technology in a right way.

“We strongly believe that it is not only the supply of business machinery, but also provision of training and service to Pakistan’s textile industries to produce far good quality products for the world markets.”

The Swiss manufacturers of textile machinery are of the opinion that Pakistan would play an important role as a major textile exporter. He remarked that Pakistan ranked third in Asia after China and India as far as the textile sector was concerned. There is great potential for the country to enhance its exports for which it needs latest state-of-the-art machinery, he added.

Speaking at the briefing Julius F Anderegg, Swiss consul general at Karachi, told reporters that today Swiss textile machinery is regarded as the most advanced in the world. He pointed out that Pakistan is too important in the textile sector and best way for textile export promotion for Pakistan is to use latest machinery for a better place in the global market.

Swissmen is an association of Switzerland’s Mechanical and Electrical Engineering (MEM) Industries and represents the business, social and training policy interests of some 1000 member companies. In the first nine months of 2004, exports from Switzerland were up by 2.4 percent compared with the year-back period. Up by 18 percent, the Asian markets absorbed nearly 46 percent of all Swiss shipments. 

China and Turkey are undisputedly in first place in world-wide ranking while sales to China are currently slowing down. India and Pakistan are on an impressive upward trend and with a striking plus 19 percent, Pakistan takes now third place among the top Asian markets. 
Paris haute couture/ light, wearable, fantastic 
The world's elite designers dazzled fashion editors and buyers this week with their frothy, feminine, fantastic haute couture collections for spring-summer 2005 that were above all entirely wearable. 

But the sale of the Christian Lacroix label by luxury giant LVMH to US duty-free retailer Falic Group -- announced on the sidelines of Lacroix's glorious show -- served as a cold reminder that couture is a costly endeavor. 

Haute couture has long been seen as a way for fashion designers to display their savoir-faire and bolster their image, but the exquisite, expensive made-to-order gems seemed more suited to museum display cases than wardrobes. 

This season, the top names in the couture business -- Lacroix, John Galliano for Christian Dior, Karl Lagerfeld for Chanel, Jean-Paul Gaultier and newcomer Giorgio Armani -- all unveiled amazingly beautiful yet accessible collections. 

Lacroix, ending an 18-year link with LVMH, earned a standing ovation for his brightly colored evening gowns and bubbly balloon coats for the modern Eliza Doolittle, a marvelous ode to femininity in a whirlwind of lace and taffeta. 

At Dior, Galliano abandoned his usual catwalk theatrics for a more subdued look. Yes, the British designer still offered up a few pieces that would be difficult to carry off, but he also unveiled classic daywear with a 1960s edge. 

Lagerfeld again masterfully reinvented the classic Chanel look for next spring, conjuring up a modern-day Versailles garden party, complete with topiaries and a double-C fountain. 

Concocting sweet cocktail dresses inspired by Marie-Antoinette and Madame de Pompadour that can be worn in the 21st century is indeed no small feat, but Lagerfeld pulled it off with effortless grace. 

Armani, now 70 years old and still going strong, made his Paris couture debut, unveiling a glittering array of cocktail dresses and evening gowns that are sure to be in high demand next month for the Academy Awards ceremony. 

And wrapping up the three-day whirlwind of couture shows, Gaultier -- who admitted he had produced a more sensible, more wearable collection to respond to tough economic times -- looked to Africa for inspiration. 

What Chanel, Gaultier and Christian Lacroix have in common is that they successfully combined excentricity with wearability, said fashion consultant Jean-Jacques Picart, who works for LVMH. 

Even the strongest, most creative pieces from the designers can be worn with just a few minor adjustments, Picart added, hailing an excellent and joyous season. 

Despite the difficulty of turning a profit with haute couture, the major Parisian houses reaffirmed their commitment to the craft, with Chanel president Francoise Montenay saying: It's part of our lives. It's in our blood. 

Gaultier went even further, noting: I could not live without haute couture. 

Emanuel Ungaro, absent from the couture catwalk for the past two seasons, made a surprise return this week, offering 30 updated versions of past classic couture pieces at more modest prices. 

Let's forget the idea of 'seasons', Ungaro explained, saying women needed to be able to justify their economic and emotional investment. 

To this end, couture designers like Italy's Valentino and Lebanon's Elie Saab gave their core clients what they wanted: glamorous, unique evening gowns. 

Valentino, recognizing that his clients come from every corner of the globe, conjured up 37 lavish ensembles named after the most beautiful places in the world from Seville to Shanghai, from Hollywood to Hong Kong. 

And Saab delighted his fans with flippy cocktail dresses and sparkling gowns for Mediterranean mermaids, saying he had drawn inspiration from the colors of the sea. 

The next chapter in the couture story will unfold in July, when designers will unveil their collections for autumn-winter 2005-06. 
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